Miley 'Unplugged’: 10 hilarious, twerktastic observationsĥ. Her legs gripped that phallic pony as it carried her halfway across the arena and back again to the stage, to the audience’s delight. As the beat kicked up a notch, the singer climbed aboard a 20-foot long wiener, which was then raised high above the crowd. She may have invented a new Olympic sport: giant hot dog straddling Cyrus’ last song before the encore was a raucous version of “Someone Else,” which turned the hockey arena into a giant nightclub.

It was a cavalcade of sparkling onesies, the likes of which are only otherwise seen at world championship skating competitions. Although there were multiple fabulous drag queens in the crowd, Queen Miley repeatedly won best-dressed Designers Roberto Cavalli, Jeremy Scott, the Blonds and Marc Jacobs all made outfits specifically for this tour, and Cyrus also purchased vintage Bob Mackie outfits for the occasion. The actual Miley then emerged from between her own tonsils, and she took a ride to the stage floor via her pink slippery slope, while the audience screams filled the stadium.ģ. Suddenly, out of that video “mouth” fell a massive, inflatable tongue. Her entrance was self-mockification, magnified When the house lights dimmed, all eyes were focused at the back of the stage where a massive 50-foot screen projected a pre-made video of Miley’s head, her eyes rolling and her mouth opening and closing, robot-style. Official Bangerz rollies were $40 a pack, which included two 24 karat sheets the perfect gift for those who literally have money to burn.Ģ. She looooves gooooooollllld Available for sale next to the T-shirts and tour books was quite possibly the world’s most expensive, mass-produced rolling papers. As for some of the night’s most memorable moments? See exclusive outtakes from Miley’s racy RS cover shootġ. That said, looking past the “shock and awe,” Cyrus delivered fantastic vocals all evening long. Cyrus delivered on the campy, the vampy and an assortment of other cheeky behaviors with a clear aim to distance herself ever further from the land of Hannah Montana. In fact, if you approached the night as a drinking game centered around “famous Miley-isms” – extended tongues, strange singing cat animations, frottage and the like – well, you probably passed out long ago, never to remember the show. Last night in Vancouver, Canada, Miley Cyrus kicked off her much-hyped Bangerz world tour with both her immense talent and self-deprecation intact. Rolling Stone reviews opening night of ‘Bangerz Tour’: Openers Icona Pop did an admirable job of getting the crowd going, playing songs off their party-starting 2013 debut “This Is… Icona Pop.” She waited for her encore to deliver the big hits: “We Can’t Stop,” “Wrecking Ball,” and finally, “Party in the U.S.A.” Onstage, Cyrus and her production echoed her many memes and themes from the past year: furries, foam fingers, crotch grabs, giant cats, and of course, twerking. There were also covers of Dolly Patron’s classic “Jolene” and Outkast’s “Hey Ya.” From then on, she jumped into a set that drew predominantly from last year’s “Bangerz,” but also included a few hits from her pre-ratchet days. The 38-date arena tour began at Vancouver’s Rogers Center last night, as Cyrus finally turned the fun and debauchery of her past year into a proper headlining show.Īccording to the USA Today, Cyrus made her grand entrance by descending a massive slide shaped like her tongue from a huge projection of her own face on the set backdrop. Vancouver residents were treated to hot, steamy Valentine’s Day evening, courtesy of Miley Cyrus’ long-anticipated Bangerz Tour. Billboard reviews opening night of ‘Bangerz Tour’:

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